Leroy Grannis: Surf Photography

Author: Jim Heimann (Editor); LeRoy Grannis (By (photographer)); Steve Barilotti

Stock information

General Fields

  • : $79.95 AUD
  • : 9783836566797
  • : taschen
  • : taschen
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  • : 1.84
  • : June 2018
  • : ---length:- '7.7'width:- '5.5'units:- Inches
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  • : books

Special Fields

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  • : Jim Heimann (Editor); LeRoy Grannis (By (photographer)); Steve Barilotti
  • :
  • : Hardback
  • : May-18
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  • : English
  • : 779.979732092
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  • : 416
  • : WSSG
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Barcode 9783836566797
9783836566797

Description

Catching the Perfect Wave America's most important surf photographer of the '60s and '70s At a time when surfing is more popular than ever, it's fitting to look back at the years that brought the sport into the mainstream. Developed by Hawaiian Islanders over five centuries ago, surfing began to peak on the mainland in the 1950s--becoming not just a sport, but a way of life, admired and exported across the globe. One of the key image-makers from that period is LeRoy Grannis, a surfer since 1931, who began photographing the longboard era of the early 1960s in both California and Hawaii. This Bibliotheca Universalis edition brings back Grannis's hair-raising, sold-out Collector's Edition, curated from the photographer's personal archives, to showcase his most vibrant work in a compact and affordable format--from the bliss of catching the perfect wave at San Onofre to dramatic wipeouts at Oahu's famed North Shore. An innovator in the field, Grannis suction-cupped a waterproof box to his board, enabling him to change film in the water and stay closer to the action than any other photographer of the time. He also covered the emerging surf lifestyle, from "surfer stomps" and hoards of fans at surf contests to board-laden woody station wagons along the Pacific Coast Highway. It is in these iconic images that a sport still in its adolescence embodied the free-spirited nature of an era--a time before shortboards and celebrity endorsements, when surfing was at its bronzed best.
 
"Grannis's pictures are startling. The scenes they record and breaks they document are pristinely beautiful and impossibly vacant." -- The New York Times Text in English, French, and German